The RenaiScience Fiction

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Design for the Ceiling Decoration in Vasari’s House in Arezzo Giorgio Vasari 1511–74,
Digital art made by Hermenaria

Introduction

This debut theme from the first issue comes as a synthesis of Hermenaria project: it highlights fictional visual worlds, digital spaces and analogies’ craft.
The RenaiScience Fiction refers to the three terms:

Fiction as imagination, art and a creation process
Science or how we combine, interact, transform ourselves and the world
Renaissance as a creation of meaning and interpretation

Science Fiction genre seems to have its established clichés and proprieties. Still, like in modern psychology, sometimes we should start with some fundamental and most tangible patterns and beliefs. Those, that we may never question and, moreover, never would like to question and touch. The deepest schemas, unconscious habits and thoughts.

What is technology?

 What is science?

 How was it perceived during the human history?

Let’s say that The RenaiScience Fiction takes these questions on a surface from cultural unconscious where The Maya, Atlantis and Egypt cultures have their way to express and define technology. At the end, the meaning of science is a way we define it.

You’ll find the following concepts and guidelines in the post:

Nonlinear history cycles

Synchronistic era and causal era

Analogical and causal waves

Digital creators’s class

Interaction between causality and synchronicity

Praying Angels and Poppies (Border Design for Thomas Malory, Le Morte d’Arthur, J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219),
Artist Aubrey Vincent Beardsley, May 30, 1893,
Digital art made by Hermenaria

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